Outtake I
曲目手记
原文
Liner Notes - November 29, 2000
Hurry up or you'll miss the train! This track is part of a good ten minutes of "Look-at-my-pretty-guitars" garbage that was mercifully tossed before release. Despite a disgustingly cute midgets-in-lederhosen quality, it is given some dignity by the oboe stylings of Roger Wiesmeyer. Like the Monastery intro which eventually became the second part of our Diablo II title screen, this is a good example of how NOT to pace game action music.
You may notice an instrument which makes it nowhere else into this little game -- the classical guitar. Even though I have probably fallen asleep to the sound of Segovia more than any other recording artist, I was never able to reconcile the Spanish sound of this instrument with the feel of the game. There is something inescabably warm and seductive about the sound of nylon which just did not fit with the feel that the steel strings established in the original game. The flamenco riffs I tried to insert always seemed a bit forced. Some people around the office liked this track, despite the fact that those open mandolin chords now make me wince.
中文译文
内页注释 - 2000年11月29日
抓紧时间,不然你就要错过火车了!这首曲子属于足足十分钟"快看看我漂亮的吉他"式的垃圾素材的一部分——好在发售前被仁慈地扔掉了。尽管它带着一种腻人的可爱(就像穿着皮短裤的小矮人),罗杰·威斯迈耶(Roger Wiesmeyer)的双簧管演奏还是给它增添了几分尊严。就像最终成为暗黑破坏神II菜单页面第二部分的那段修道院前奏一样,这首曲子是"游戏行动音乐不该怎么编排"的好例子。
你可能会注意到一件在这个小游戏的其他地方从未出现过的乐器——古典吉他。尽管我可能听着塞戈维亚(Segovia)的录音入睡的次数比其他任何演奏家都多,但我始终无法把这种乐器的西班牙之声与游戏的氛围调和起来。尼龙弦的声音里有一种无可救药的温暖与诱惑,它与原版游戏中钢弦建立起来的质感就是合不来。我试图插入的弗拉门戈连复段(riff)也总是显得有些生硬。办公室里有些人喜欢这首曲子,尽管那些开放的曼陀林和弦如今让我直皱眉头。
曲目留言
喜欢这个吉他
Me too!